Le Cernie: Maxicaravan Sardinia

Le Cernie Maxicaravan Sardinia: The strong contacts with the Villanovianis (X. IX sec. to.C.) of the future Etrurias surrendered space to the cultural influences of the east more and more. The great maritime commercial trafficis, especially effected by populations semite, they involved in notable way Sardinia of the post-nuragico and the miserable one in contact with the realities of the Mediterranean east. The presence, in the coasts and in the inside of the island, of Phoenixes before and of the Punicis then it marks the entry of the island in the History. The progress and the wealth, that that society has handed down us through the furnishings and the unusual monuments, had an abrupt arrest with the long war vicissitudes among Punici and Romans, that submitted the island to the total oppression of these last. From 238 to.C. it practiced him the bloodthirsty one "Roman pax", that only in 111 to.C. you/he/she could tell him finished, after innumerable battles and bitterses you triumph.

Numerous and omnipresent, they still seem jealous of the ancient secrets, that the disputes among the researchers don't seem accomplishedly have still disclosed. Held in the centuries it operates of Cyclopses, of Semiti, of Micenei or of the mythical Shardanas and data for mausoleums, solar temples, towers of the silence or small fortress, they certainly represents the maximum architectural, economic and cultural expression of a people of builders, that he/she takes the name of Nuragici from them. The constructive technique, effected with rocks prepared to dry and used for different typologies, it is a common patrimony in the whole Mediterranean, but only in Sardinia it comes to express advances architectural solutions, levels of perfection and such monumentality to make them only and inimitable. Simple bastions or tall circular towers in the archaic phases, become often, in the time, articulated structures, fit to a passive military defense. The Giants' graves The grandeur of the burials nuragiche has struck the popular imagination, to which their definition is owed for a long time. Megalitiche and monumental, with a great stele placed side by side by great plates ortostate in the façade (the most ancient), that you/they describe the esedra, the area destined to the cult, or made with rows of stones megalitiche, they represents the collective grave, for all the belonging to the village and the point of contact of the alive ones with the ancestors, certain heroes and founders of the stock. The dead persons were deposed, perhaps with secondary rite, for the porthole, in the long sepulchral room, covered by tumult. Aristotile hands down the rites incubatori and propitiatory practised by the Sardinians, for long days, with the purpose to recover the mental health to have premonitions for the important decisions and for the progress of the clan. The global form, to inverted boat of the room or to bovine pròtome of the whole, you/he/she is held symbolic and ritually meaningful.